The film’s significant problem being a share to anthropology that is visual and a training device is its not enough contextual information. Its opening shot requires a verse that is quranic of context, without any indicator that polygyny, while allowed, is recognized as problematic in Islam as well as in Iran (see additionally Azizah al?Hibri, “Muslim Women’s Rights when you look at the worldwide Village: Challenges and Opportunities, ”Journal of Law and Religion, 2000–2001:37–66; “Iran Lawmakers Reject Proposal to relieve Polygamy, ”International company circumstances, September 8, 2008. Electronic document). The audience is provided no info on the topics. Exactly exactly How typical is it household? In Iran, as somewhere else in the area, polygyny just isn’t typical, and it is not universally sanctioned. We hear the 3rd spouse saying, “Seeing other ladies in the town with normal families … it saddens me personally. ” Is it, then, the sole family that is polygynous the town? Exactly What perform some next-door neighbors and community leaders think about Heda’s behavior? Why did these women that are strong an currently married man? Just What had been their other choices?
Samples of interior review of polygyny are supplied in brief clips spread through the entire movie. As an example, a male visitor obliquely chastises Heda for their numerous marriages, stating that one wife is enough. A female reprimands her mother?in?law for spoiling her sons into the level which they marry numerous spouses and “don’t simply simply take duty for his or her kiddies. ” The 4th spouse blames the initial, saying, “A real woman will never have allow her husband simply just just take more wives. ” But there is however no systematic work to utilize this product to illustrate neighborhood discourses polygyny that is surrounding.
Moreover, no other guys are showcased in this movie. Is the meant implication that Heda is somehow typical? If he had only one wife as he is portrayed, he would be impossible to live with even. The overuse of voiceovers can be problematic. One hears the sounds of this topics although we see them doing other activities, usually perhaps not speaking after all. This further decontextualizes their terms and serves to distance and exoticize the topics by themselves. Most significant, this disconnect between terms and expression that is facial stance decreases the audience’s capacity to judge the dialogue’s credibility.
Even though the half that is first of movie presents a frequent, yet nuanced view of domestic life, you can find severe difficulties with the modifying and sequencing of occasions in its last half, making it confusing and further compromising the movie’s effectiveness when you look at the class room. The half that is latter disjointed and poorly modified. Unconnected and activities that are unexplained tacked on to each other. Early in the day footage is reused with new discussion. We very very first notice of Heda’s “intentions” to take a 5th spouse that we saw previously as he walks away from the camera in a pasture scene. Then “continues” the dialogue that is same various garments.
Toward the midst of the movie, the mood instantly changes from a single of laughter and light to darker pictures and low, ominous music. When you look at the very first half, Ziba repeatedly praises Heda’s kindness and affirms her affection for him. Her deepest sorrow is based on her shortage of kids. Instantly, and with sideward glances during the camera, she starts to talk of Heda and previous attempts to her unhappiness at committing committing committing suicide. This sharply contrasts with all the character we now have observed in initial 50 % of the movie, in addition to portrayal of her relationship together with her spouse, which simply questions the film’s credibility.
Heda starts to talk relentlessly about going for a wife that is fifth with no indicator that this could be forbidden in Islam and impossible in Iran (the utmost limitation of spouses a guy may have in the past is four, and there’s no indicator of Heda’s divorcing one of is own other spouses). Other scenes which are plainly scripted include two women whispering within the courtyard, Ziba’s stop by at a shrine, a lady walking toward the gate and whining about her daughter that is supposedly locked up across the street, plus the whole series of Heda’s improbable courting after which wedding from what seems to be a 5th spouse.
This modification and inconsistencies within the two elements of the movie can be because of the improvement in filmmaker. Based on Alissa Simon, composing for range, Nah s credibility, serving to help exoticize its topics. Consequently, it will be hard to utilize this movie in undergraduate classes on sex or even the center East. But, the stark recording contrasts involving the very first and second halves may ironically make it a good resource in artistic anthropology classes, where it could produce conversation in the need for contextual information, issues of credibility, and problems regarding the depiction and exoticization of topics.